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Aliens (1986)

By Coby Kiefert

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Hereditary and the Rise of Horror as Prestige Film

by Brooke Tennison

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“The King of Kings”

 By Carl Schultz

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She’s Too Pure to be Pink

By Isabel McLane

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Trifecta of Greed: Connecting Three Unlikely Cinematic Opuses

By: T.A. Hoffman

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Before the Method of Marlon Brando Came Aline MacMahon

by John Stangeland

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Why John Badham’s Dracula Is An Underrated Masterpiece

By Andrew Ledford

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Comin' At Ya! - A Reassessment: More Than Two Dimensional

by Justin Levine

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REVIEW: TOP GUN: Maverick (2022)

by: Sekou Barrow

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Suspicious Mind Who Can’t Help Falling in Love: Thoughts on Elvis

In a Hollywood that evolves increasingly towards commercialism, the quantitative begins to usurp the qualitative. A film’s worth is judged not by the innovative subversions of its director, but by the...

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The Way We Fall: La Haine

By Alex Matraxia

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MARCELLO ON THE BEACH

(La Dolce Vita, Federico Fellini)

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Gender Analysis and Sexuality in Brokeback Mountain

By: David Ickes

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The Cinematic Nocturnal Art of Designer/ Director Tom Ford

By: David J. Ickes

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A Slap In The Face: On Will Smith And What The Oscars Should Be

When Kevin Costner strutted out on the stage with his prototypical, strong-man nature, I knew that I should expect a joke, and, on the surface, the first words of his mini-monologue seemed to confirm...

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The Dialectic Dilemma

I’ve found that I like movies that were created from plays the best. It feels like the new, bright film medium is co-opting a millennia-old tradition and turning it into something that’s not better...

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30 Years Since “Heathers” Broke The Mould

By Neal Damiano

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Reach For The Stars

By Mo Izibe

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VIVA LE AUTEUR

by Brendan Fleming

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The Southern Gothic in The Texas Chainsaw Massacre

by Christopher Hoppe

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