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Suspicious Mind Who Can’t Help Falling in Love: Thoughts on Elvis

In a Hollywood that evolves increasingly towards commercialism, the quantitative begins to usurp the qualitative. A film’s worth is judged not by the innovative subversions of its director, but by the...

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REVIEW: TOP GUN: Maverick (2022)

by: Sekou Barrow

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Comin' At Ya! - A Reassessment: More Than Two Dimensional

by Justin Levine

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Why John Badham’s Dracula Is An Underrated Masterpiece

By Andrew Ledford

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Before the Method of Marlon Brando Came Aline MacMahon

by John Stangeland

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Trifecta of Greed: Connecting Three Unlikely Cinematic Opuses

By: T.A. Hoffman

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She’s Too Pure to be Pink

By Isabel McLane

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“The King of Kings”

 By Carl Schultz

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Hereditary and the Rise of Horror as Prestige Film

by Brooke Tennison

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Aliens (1986)

By Coby Kiefert

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